Combining a transient shaper with overdrive, compression and a tuneable Boom section, it's a fast and easy-to-use tool for gluing and enhancing percussion. While you might not ditch your Decapitator or Karacter any time soon, Pedal is a great low-CPU option for processing individual tracks, from drums to synths and basses.ĭrum Buss is another easy win. A Sub button reintroduces the low frequencies that are often lost with excessive gain, which greatly increases Pedal's efficacy on kick drums and basslines.
#Simple delay ableton stereo plus
Even at extreme settings, the character remains believable and eminently useable, plus there's a Dry/Wet control for gently easing heavy saturation into the original signal. Modelled on guitar pedal circuitry, the three flavours of grit, namely Overdrive, Distort and Fuzz, aren't too fizzy or brittle. Live's Overdrive plug-in generally left a lot to be desired but the new Pedal tool is a clear step up.
#Simple delay ableton stereo update
The ability to scroll through the contents of an entire piece of audio within a single slice is another boon for anyone spending a lot of time editing waveforms.ĭespite the cumulative significance of these workflow tweaks, a major update demands new toys. You don't have to split audio clips using command-E anymore-simply highlight a chunk of audio and drag it to a new position.
Curves now snap to the grid as you draw them in and fades are always visible.
Automation is now hidden by default, which adds to the cleanliness of each channel and reduces the chance of accidentally clicking in break points. Additionally, clips themselves can now be created simply by double-clicking a cell in Arrangement view.Īudio and automation editing have also been significantly streamlined. All too often, you land upon an idea while improvising, only to lose the character of the performance when you come to actually record the part. Then there's the Capture function, which records MIDI information without having to click record. As someone who's wasted a lot of time launching MIDI clips with long, sustained notes from the beginning of the clip, the ability to begin playback in the middle of a note and still hear the sound is a relief. A personal favourite here is the Chase MIDI Notes function. It also saves you jumping from clip to clip to make changes. You can now highlight up to seven clips and view their note information from within a single piano roll, which gives you a better perspective on how the various parts interrelate. The improvements to working with MIDI are more obviously significant. But over the course of multiple hours, these things really add up. They're all extremely simple changes that save you a second or two each time you use them. Another nice tweak is holding option and scrolling up or down to expand and contract individual channels, which saves you from finicky cursor work. It's the same story with holding command for smooth zooming with the trackpad. You can click a clip and press Z to instantly zoom in while shift-Z zooms you back out again. It's easy to forget just how much time you spend navigating the Arrangement view but the process has been streamlined with some much-needed hot keys. Take the improvements to zooming and scrolling. The implications for productivity and speed, however, are significant. These types of workflow changes are the sort of thing that'd make your eyes glaze over if you weren't a dyed-in-the-wool Ableton user. But if you're spending thousands of hours of your life finishing music in Live, the little things have a habit of becoming more significant as you spend more time in the program. The new Wavetable synth and Echo delay are most certainly strong improvements. So while the headlines surrounding the update announcement centred on a range of new devices, the decidedly less sexy truth is that removing barriers to creativity requires a ream of small workflow improvements.
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